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Working with Effetre Glass

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This information is offered to provide a basic working knowledge of the Effetre Glass palette and some of its limitations.

When working with any glass it is important to know its compatibility. Coefficient of Expansion or COE, is the term used for the measured expansion and contraction rate of a type of glass based on the percentage of change during the heating and cooling process. Glass of differing types, (based on the raw materials used to make the batch), will have different rates of expansion and contraction. Glass with greater expansion capabilities has a higher COE rating. Glass that is of the same or very similar COE and that has the same basic raw ingredients in the batch is compatible and thereby workable with another glass made from the same basic ingredients. To be compatible glass must be of the same or very similar coefficient of expansion, viscosity, and annealing range. For some applications this general rule can be broken, but for others it becomes more important. When making glass beads COE becomes important, especially when incasing and most often concerning the core layer of the bead.

For our purposes lets talk about Effetre glass. This beautiful soft soda-lime glass is made on the Island of Murano in Venice, Italy. Formerly owned by the Moretti Family and thus formerly known as Moretti. Effetre glass is most frequently used for flameworking and glass beadmaking. Effetre glass has been made for hundreds of years in the same factory, it was created especially for beadmaking and comes in a wide range of colors. Effetre comes in 5mm-15mm thick rods as well as sheet form with a COE of 104-113. Effetre’s color palette is broken down into six categories.

Transparent colors; COE 104-106

*exceptions, red T076 COE 109-113

Pastel colors (Opaque); COE 104-106

*exceptions, dk turquoise P236, dk pink P256 COE 109-113

Alabaster colors (translucent,visible lines of trapped air running length of the rod); COE 106-108

Special colors (hot colors, yellow, orange, red, transparent ruby, etc); COE 109-113

Opal colors (translucent milky colors); COE 109-113

Filigree colors (core color cased in clear glass); COE 104-106

It is important to note the wide-range of COE in the Effetre palette when considering making a cased glass bead. Transparent Effetre glass has a COE of 104-106, whereas for instance the opal colors have a COE of 109-113. If you start your base bead with an opal color and then proceed to incase the color with clear you have class with a higher COE, therefore greater ability to expand and contract, at the core of your bead than the casing glass. Nine times out of ten the bead will break.

You might have had a problem with cased beads of a certain combination breaking in the past. Unless there is some other logical explanation such as large bubbles in the bead the difference in COE is likely the reason. This doesn’t mean you can never make that beautiful cased red bead...there is a solution to this irritating problem. Start with a base of COE 104-106 glass. Cover that with a layer of the higher COE glass that you want to use, and then proceed to case etc to create your finished bead. You must be certain that the core layer of glass runs the full length under the second layer. What you have then created is a sandwich of completely compatible glass with the less compatible glass floating in between.

 

Here is a list of many popular types of glass used for flameworking with the COE and other information to assist you.

 

Satake (Japanese Soft Glass)
Approximate Coefficient of Expansion (COE):
Soda lime colors: 113
Lead colors: 120
Annealing Temperature: 890º F

Effetre/Moretti (Italian Soft Glass)
Coefficient of Expansion (COE): 104
Annealing range: 920 - 968º F
Strain Point: 840º F
Softening point: 1050º F
Working Temperature: 1400º F

Vetrofond/Murano Glass (Italian Soft Glass)
Coefficient of Expansion (COE): 104
Annealing range: 920 - 968º F
Strain Point: 840º F
Softening point: 1100º F
Working Temperature: 1400º F

Lausha (German Soft Glass)
COE: 95 - 105
Annealing Range: 920ºF to 970ºF

Bullseye (American Soft Glass)
COE: 90
Annealing Temperature: 940º F
Strain Point: 820º F

Glass Alchemy (American Hard Glass)
COE: 33.2 +/- 2.0
Recommended Annealing Point: 565ºC - 1050ºF.
Maximum Annealing Point: 600ºC -1112ºF
Strain Point: 840º F
Softening Point: 1200º F
Working Temperature: 1700º F
Striking Temperature Range: 1150ºF to 1200ºF

Northstar (American Hard Glass)
COE: 33.2 +/- 2.0
Recommended Annealing Point: 565ºC - 1050ºF.
Maximum Annealing Point: 600ºC -1112ºF
Strain Point: 840º F
Softening Point: 1200º F
Working Temperature: 1700º F
Striking Temperature Range: 1150ºF to 1200ºF

Colormax (French Hard Glass)
COE: 33.2 +/- 2.0
Annealing point: 565ºC - 1050ºF

Pyrex (American Hard Glass)
COE: 33.2 +/- 2.0

The following three companies make what is known as Reduction Frit. Reduction Frit was originally used in glass blowing but now is often incorporated into flameworked glass beads made of Effetre and Vetrofond glass. While the COE is not the same as Effetre, it is used in such small quantities that no problems occur as long as the beads are properly annealed.

Q-Colors by Reichenbach
German Soft Glass COE:91-94

Kugler by Friedrich
German Soft Glass COE: 89 –95

Wiesenthalhutte by Ornela
German Soft Glass COE:88-92

Question - What should you do when you don’t know the COE of a type of glass but want to work with it? Answer - Try a Compatibility Test!

COMPATIBILITY TEST: For flameworking, the most commonly used is the Pull test, or Strand test. Heat two rods of glass, attach together overlapping them one inch, heat together without mixing or twisting, then pull into a thin straight cane. When cut off the rods, if the cane remains straight the two glasses are compatible. If the two glasses differ in linear expansion, the cane will be curved. The glass of greater linear expansion, (higher COE rating), will be on the inside of the curve because of its greater ability to bend. The greater the curve, the greater the difference between the two glasses. In some cases, if the glass is of great difference, one rod will pull out while the other cools thus not pulling as much, if at all.

 

 ÓApril 14th 2004 Written by Kimberley Rosaleen Osibin – Create Beads!

 

To contact Kim call 415-259-7626 or e-mail kim@flameworkedbeads.com

 


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