Kim Osibin,Lampwork,flamework,hot glass,Glass Art,Glass Beads,Classes
ProcessHome PageFancy CanesSilver & GoldEffetreThe Palette
Working with Dichroic Glass

pansy bead.png

An itty bitty Dichroic floral bead

Dichroic coated glass is available in a variety of styles: Fused strips and rods for flameworking and cut strip and sheets for stained glass fusing. The most popular for flameworking are fused strips.

Important use information;

The metallic coated side of dichroic glass easily burns off in the torch flame. In order to avoid this problem, face the coated side of the glass away from the flame, then either roll the bead onto the metallic coated side, or flip the dichroic glass over and attach the coated side to the bead while you heat the uncoated side. If using dark dichroic glass such as black or cobalt after attaching to the bead you can gently heat in the flame to marver and shape. It is best to case the glass quickly, however the coating doesn’t burn off the darker colors of glass as it does on clear and light transparent colors. To easily find the coated side place the dichroic glass on a dark surface such as your pad, or paddle. An additional tip is to place a pen tip to the dichroic glass the pen will appear more visible on the coated side.

Fused dichroic coated glass strips provide several important benefits for flameworking over rods or plain cut strips.

  • 1) Fusing greatly increases the coating strength to better survive the harsh effects of the flame.
  • 2) Fusing "shifts" the color and surface texture to what the flame will do. This allows you to see the true look of the dichroic glass before you use it.
  • 3) The fused strips have an even dichroic coating covering across the entire width. Rods do not.
  • 4) Fusing rounds off the four long sharp edges that would otherwise cause scum by forming micro bubbles.
  • 5) Fusing makes the glass safer and easier to handle.
  • 6) The textures, when fused flat, create an interesting and desirable pattern in the coating, that is not reproducible with any other method. This gives you more design options at the torch.

Here is a common dichro problem a student of mine was having and my response.

Q) I have been having a problem with my dichroic glass getting scummy edges even when I heat the non-coated side and apply the coated side to the bead like you showed us in class. Also frustrating since I LOVE dichroic glass. Any thoughts here would be so much appreciated. I tried turning the torch way down but still got
scummy edges. I tried picking the scum off but can't get it all.

A) Are you cutting your own dichro? Or buying the fused strips? If you are cutting your own from sheets it is a lot easier for this to happen. The edge of the dichro rolls up just a bit allowing the heat to affect the coating (this happens on the fused strips as well, but the fusing process helps the dichroic coating stay on the glass rather than boiling up). Use a slightly reducing flame to start, make sure you are getting the whole width of the strip attached to the bead, you may be getting some curling of the dichro if the bead and dichro are not hot enough. Once you get the dichro on the bead try heating one small surface area at a time and gently pressing it into the bead. Work your way along the entire piece of dichro this way so that it is all marvered into the bead. Then the coating will be protected.

Another thing you could do is fuse your own dichroic strips, that is if you are using your own cut strips. If you are using fused strips from Arrow Springs then just try the marvering in method I have already described with
a very slightly reducing flame and this should help.

Anyway back to how to fuse your own strips.

Making Your Own Fused Dichroic Glass Strips

1) Start by cutting the sheet of dichro into strips.
2) Put the strips coating side down on a shelf coated with kiln wash, (shelf paper doesn't work the dichroic coating shrinks and distorts).
3) Bring the kiln up to 1300 degrees.
4) Crack the kiln and keep checking it till the edges start to get rounded, somewhere around 1390 degrees. Time the process on this, the timing is different on every kiln but once you have the timing down for your kiln it
will always be about the same.
5) Open the top of the kiln and let it crash back down to 1100 to stop the fusing process and cool down from there.
6) The timing is critical on this, you don't want to over fuse or the kiln wash will stick to the coating. So pay close attention while doing this. The results and savings are worth it.

Also try to remember that general rule about the torch/flame, if the glass is turning blackish/brownish you are using a flame that is too reducing, too much propane for that glass. If the glass is boiling, bubbling, looking
foamy or as you said wispy you are using an oxidizing flame, too much oxygen for that glass.

You can also certainly purchase fused dichroic glass strips. I have found that it is well worth the price for the better results.

Dichroic coated fused strips, for flameworking, are available in the following widths: 1/4", 3/8", 1/2", 3/4", 1" and special order widths. 1/4" is the most popular. Because fused strips are cut from round sheets, the lengths will vary. Most lengths are 17". Some are shorter.

Dichroic coated rods are coated on one side, down their length with the crest having the most intense color. Rods are approximately 18" long with a dichro coating of 15" to 17". Because of the subtle look of dichroic coated rods, only the darkest color coatings are used.

Dichroic coated cut strips, intended for use in stained glass fusing, have the dichroic coating cover the entire width and are not fused. Available in 1" or special order widths.

Dichroic sheets are usually 20" in diameter. Some are 19" in diameter.

The following dichroic colors, listed with their codes, are available. Because of the huge number of possible combinations of coating colors, glass colors and textures, not all combinations are always available.

Standard Colors
Yellow / Violet - Y/V, Yellow / Purple - Y/P, Yellow / Blue - Y/B, Pink / Teal - P/T, Magenta / Green - M/G, Blue / Gold - B/G, Cyan / Copper - C/C, Cyan / Red - C/R
Cyan / Dark Red - C/DR, Cyan / Dark Dark Red - C/DDR, Rainbow 1 - RB1

Specialty Colors
Purple PURPLE, Salmon SALMON, Violet – VIOLET, Emerald – EMERALD
Candy Apple - CA-RED, Mixture – MIXTURE, Black Cherry - BK-CHERRY

Premium Colors
Green / Magenta G/M, Green / Magenta Blue - G/MB, Green / Pink - G/P
Silver – SILVER, Red / Silver Blue - R/SB, Rainbow 2 - RB2

Written and compiled by Kimberley Rosaleen Osibin

 

To contact Kim call 415-259-7626 or e-mail kim@flameworkedbeads.com

 



Go Daddy Software